Category Archives: 12″ single

Pink Floyd • Interstellar Overdrive [12″ single]

Pink Floyd Interstellar Overdrive RSDRecord Store Day 2017 brought with it a plethora of pleasing platters and the first one I’m writing about is this PINK FLOYD 12″ single. Yes, it’s a single of one of the band’s earliest works, “Interstellar Overdrive”. This isn’t, though, the studio version you’ve thrilled to on their debut album, The Piper at the Gates of Dawn, but an earlier recording that has never seen the light of day (on vinyl) until now.

Recorded in late 1966 in a studio in Hertfordshire, England, this 15 minute take has much to offer. Take its sheer length: I can’t think of too many bands that were doing quarter-hour songs at that point, which may be why the original, official release was shaved to under ten minutes. Yet, the fifteen minutes gives the band even more room than usual to stretch out. Syd Barrett gets to wail on his Telecaster, slipping in and out of lockstep with bassist Roger Waters and drummer Nick Mason, while keyboardist Richard Wright plays some seriously demented organ pads full of distortion and contortion. Chaos reigns supreme! Also, the instrumental song’s “chorus”, the descending chord progression that anchors the song, is played to a curious drum beat – seemingly taken directly from Nancy Sinatra’s “These Boots Are Made for Walking”! I’m not kidding. The backbeat played by Mason is just like that boom-ba-boom, boom-ba-boom pattern we all know and love.

Package-wise, this is mostly a winner. The record comes in a nicely designed Hipgnosis cover, complete with printed inner sleeve, poster and postcard showing the Floyd in a saturated, black and white photo taken by Irene Winsby for Melody Maker. The only con? Well, it’s a one-sided record. I mean that literally. There’s nothing on the flipside except smooth, black vinyl, completely unladen by any sort of a groove. Isn’t it just like Pink Floyd? Wasting an entire side of 12″ vinyl. On the other hand, arty types that they are/were, they give us a poster and postcard we aren’t likely to actually use (why, that would decrease the release’s value, RSD dorks!) just because they can. And I kinda like that. After side one’s blistering 14:57, you see, there’s not much you can follow it with.

4/5 (Pink Floyd Records)

The following video (assuming it’s still up) is from a documentary by Syd Barrett buddy Anthony Stern, purportedly the first use of the 14:57 take of “Interstellar Overdrive” on the above-reviewed release. There’s more information on this recording here.

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Paul McCartney & Wings Vs. Timo Maas & James Teej • 1985 (Single)

1985-480x480There are so many Paul McCartney fans who’ll buy whatever the man puts out – and then bitch about what a ripoff it is, or how he could’ve been more generous with the bonus tracks or yadda yadda yadda! Truth is, I’m pretty glad he bothers to put out anything at all. I haven’t bought everything that’s come out (news to my wife!), and I’m a bit behind on getting the releases I do want, but his new releases are still something I look forward to. Some are hits, some are misses…

1985 is a new single that is based on the 1973 song, “Nineteen Hundred and Eighty Five,” which was the final track on the legendary Band on the Run album. Remixed by Timo Maas & James Teej, 1985 is a 12″ single or download (which I’m basing my review on; the physical release isn’t available until 5/27) that was first released a couple months ago as a white label promo (limited to 300 copies, see image below). They were real sly about the artist credit but these days trying to keep something a secret is a losing battle; the word was out that it was a Macca-sanctioned release within moments. Super Deluxe Edition reported, “They [Maas & Teej] clearly utilise stems from the original multi-track, meaning that this can only have been created with McCartney’s cooperation,” (SDE’s original post here) and that must be the case because there’s no way someone could have remixed the track to this degree without having the original multitrack files to work from.

R-8321072-1459302729-5449.jpegI think 1985 is pretty cool. The Radio Edit version is concise, taking most of the strengths of the McCartney & Wings track and creating an imaginative remix. The piano track is practically a no-show, though, so the tune is carried more by Macca’s bass line. The Club Mix and Remix versions are longer, naturally, than the “edit” and approach the subject from different directions; I prefer the Remix for listening though both versions are fairly similar.

McCartney’s been a fan of the electronica for a long time – he quietly released his first stab at it, credited as The Fireman, in 1991 – so it’s not a case of “Hey, that old guy’s trying to be hip by proving he’s into the latest thing. Isn’t he adorable?!” Since then he’s done two more Fireman releases (all of which were created with his buddy, Youth) and a 2LP remix item titled Twin Freaks in collaboration with Freelance Hellraiser in 2005. If you’re not a fan of the remix, or of the way they mashed up The Beatles on the Love project for Cirque de Soleil, you may not like 1985. But since the download is only three bucks, you could easily get a preview of the tracks before plunking down the money for the 12″. I’m grateful that my favorite musician of all time is still with us, treating us to sometimes old, sometimes new, sometimes borrowed or blue versions of the music I grew up with. I can’t imagine a world without Paul.

Though I bet my wife can…

3/5 (Virgin/EMI)

Here’s a clip of Wings in 1974 doing “Nineteen Hundred and Eighty Five” from the longform film One Hand Clapping, which wasn’t released until the super deluxe Band On The Run reissue in 2010.

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