Another anniversary, another reissue. Yet, ELECTRIC LIGHT ORCHESTRA’s Out of the Blue is truly deserving of a celebration. The double album was first released in October 1977, amid all the hype about punk rock and the desecration of our beloved rock ’n’ roll. Forty years later the prophecy that punk would destroy all stands unfulfilled; rock ’n’ roll carries on as “classic” music, mostly of a bygone era, via countless repackages of the best it had to offer.
This here double picture disc of Out of the Blue is truly something to look at (I’m going by the photos I’ve seen), although it can’t be quite as awesome as the original issue. That was a 2LP album in a gatefold cover with printed inner sleeves, a mini poster of the band and – wait for it! – a cut-out space station/rocket ship just like the one on the record jacket! And YES, I did assemble mine as a 14 year old and hung the poster, too. Today’s picture disc release comes with none of those extras, just Jeff Lynne’s masterpiece carved into the grooves of records that can’t possibly show all the magic that is Blue. I mean, picture discs are naturally pressed with shallower grooves to accommodate the picture inside, thus making for a quieter and (likely) less expansive sound. The original pressing, as well as some of the many reissues over the last four decades, is really the one to have.
With five singles hitting the charts, Blue was ELO’s biggest bang, eventually selling some 10 million copies worldwide. You know many of them: “Turn to Stone,” “Sweet Talkin’ Woman,” and the nowadays ubiquitous (thanks to its inclusion in dozens of movies) “Mr. Blue Sky.” The band’s sound had evolved to a unique hybrid of rock, classical and pop. What started out as a great idea (their classicalized cover of “Roll Over Beethoven” was among their early singles, along with the epic “10538 Overture”) hit its zenith with this sprawling double album, which even included a side-long Concerto for a Rainy Day. Judging by the DVD of one of this era’s shows, the ELO of ’77 must have been something to see and hear in person.
Heavy on harmonies, stacked in layers thanks to 24-track recording and Jeff Lynne’s amazing ability to take melodies and turn them into major statements, Out of the Blue was like The Beatles smashed into The Beach Boys and The Everly Brothers while Phil Spector got the entire shebang on tape. My guess is Lynne was as focused on dense, dynamic arrangements as Brian Wilson was before him, though I don’t expect Jeff was wearing a fireman’s helmet in the booth… But I’ll bet it was really hot in there!
As for the strings, well, the Electric Light Orchestra at this point – lavish, grand – was six or seven band members plus the extra violins, cellos and what have you that accompanied them on record and on stage. Blue is ELO at its most magnificent. From this peak there was nowhere higher for Lynne & Co. to go, and so on the next LP, Discovery (cynically also known as Disco Very), the band shed most of the genuine strings and accomplished its orchestral manoeuvres mainly via synthesizers. It doesn’t matter that ELO’s biggest hit in America was “Don’t Let Me Down” (Bruuuuuuuuce!); Out of the Blue was the album that finally captured what was in the boss’s head and displayed it like a gigantic billboard for all to see. Hey you with the pretty face, welcome to the human race!
In 2007 a deluxe anniversary CD came out in a limited edition book-bound cover with the cutout space station (albeit in much smaller form) and 24-page booklet; that version and the standard jewelcase version included bonus tracks and new mastering. Sadly, one of the songs had a noticeable dropout thanks to the age of the stereo master tape and so this reissue loses a point. A vinyl reissue on Simply Vinyl was also issued (in 1999) and it suffered from over the top digital mastering (not usually a plus for vinyl reissues), and since then it had also been issued properly via Epic/Legacy (on clear vinyl, 2015). I’m not sure whether these vinyl versions – or the picture disc set that gave me reason to write this review now – include the aforementioned dropout, which is considerable but not a deal breaker since this album is such an essential piece of the ELO (and rock ’n’ roll in general) discography. You should give them a shot if they’re easily available. Otherwise, I’d try and hunt down an original on Jet/United Artists or even the slightly later Jet/CBS version (USA), or maybe even a UK import on Jet/UA. Hell, whatever version you get, Out of the Blue is something you must own.
5/5 (Epic 8898545616S1, 2017)